StandardMaterial

Defines the alpha limits in alpha test mode.

The color of the material lit by the environmental background lighting.

AKA Occlusion Texture in other nomenclature, it helps adding baked shadows into your material.

Bump mapping is a technique to simulate bump and dents on a rendered surface. These are made by creating a normal map from an image. The means to do this can be found on the web, a search for 'normal map generator' will bring up free and paid for methods of doing this.

The color grading curves provide additional color adjustmnent that is applied after any color grading transform (3D LUT). They allow basic adjustment of saturation and small exposure adjustments, along with color filter tinting to provide white balance adjustment or more stylistic effects. These are similar to controls found in many professional imaging or colorist software. The global controls are applied to the entire image. For advanced tuning, extra controls are provided to adjust the shadow, midtone and highlight areas of the image; corresponding to low luminance, medium luminance, and high luminance areas respectively.

Sets wether the color curves effect is enabled.

Gets wether the color grading effect is enabled.

Sets the Color Grading 2D Lookup Texture.

Sets The camera contrast used on this material.

The camera exposure used on this material. This property is here and not in the camera to allow controlling exposure without full screen post process. This corresponds to a photographic exposure.

Sets wether tonemapping is enabled or not

Custom callback helping to override the default shader used in the material.

The basic color of the material as viewed under a light.

Define the diffuse fresnel parameters of the material.

The basic texture of the material as viewed under a light.

Does lights from the scene impacts this material. It can be a nice trick for performance to disable lighting on a fully emissive material.

Define the color of the material as if self lit. This will be mixed in the final result even in the absence of light.

Define the emissive fresnel parameters of the material.

Define texture of the material as if self lit. This will be mixed in the final result even in the absence of light.

Sets the Default image processing configuration used either in the this material.

In case of refraction, define the value of the index of refraction.

If sets to true, x component of normal map value will invert (x = 1.0 - x).

If sets to true, y component of normal map value will invert (y = 1.0 - y).

Invert the refraction texture alongside the y axis. It can be useful with procedural textures or probe for instance.

Complex lighting can be computationally expensive to compute at runtime. To save on computation, lightmaps may be used to store calculated lighting in a texture which will be applied to a given mesh.

If true, some kind of energy conservation will prevent the end result to be more than 1 by reducing the emissive level when the final color is close to one.

Defines the maximum number of lights that can be used in the material

Define the opacity fresnel parameters of the material.

Define the transparency of the material from a texture. The final alpha value can be read either from the red channel (if texture.getAlphaFromRGB is false) or from the luminance or the current texel (if texture.getAlphaFromRGB is true)

Apply a scaling factor that determine which "depth" the height map should reprensent. A value between 0.05 and 0.1 is reasonnable in Parallax, you can reach 0.2 using Parallax Occlusion.

Define the reflection fresnel parameters of the material.

Define the texture used to display the reflection.

Define the refraction fresnel parameters of the material.

Define the texture used to display the refraction.

Helps to define how blurry the reflections should appears in the material.

Define how the color and intensity of the highlight given by the light in the material.

Defines how sharp are the highlights in the material. The bigger the value the sharper giving a more glossy feeling to the result. Reversely, the smaller the value the blurrier giving a more rough feeling to the result.

Define how the color and intensity of the highlight given by the light in the material.

If sets to true and backfaceCulling is false, normals will be flipped on the backside.

Does the transparency come from the diffuse texture alpha channel.

If true, the emissive value is added into the end result, otherwise it is multiplied in.

Defines if the glossiness/roughness of the material should be read from the specular map alpha channel

In case of light mapping, define whether the map contains light or shadow informations.

In case the depth buffer does not allow enough depth precision for your scene (might be the case in large scenes) You can try switching to logarithmic depth.

Allows using an object space normal map (instead of tangent space).

Is parallax enabled or not.

Is parallax occlusion enabled or not. If true, the outcome is way more realistic than traditional Parallax but you can expect a performance hit that worthes consideration.

If true automatically deducts the fresnels values from the material specularity.

Specifies that the material will keeps the reflection highlights over a transparent surface (only the most limunous ones). A car glass is a good exemple of that. When the street lights reflects on it you can not see what is behind.

Specifies that the material will keep the specular highlights over a transparent surface (only the most limunous ones). A car glass is a good exemple of that. When sun reflects on it you can not see what is behind.